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Genre: Indie

Glass Media

Glass Media’s debut headline show drew over 200 fans, cementing their ability to pull a crowd and leave a lasting impression. Since then, they’ve consistently played packed, high-energy shows and caught the attention of household names-opening for Skegss, Luca Brasi, The Preatures, The Vanns, Sly Withers, The Smith Street Band, The Belair Lip Bombs as well as The Great Escape Music Festival, Party In The Paddock, Good Gumnuts and Bass In The Domain, a true testament to their rising reputation. Recently announcing their debut Australian Tour, Glass Media have turned their attention to bigger things.

Their music blends energetic rock with catchy pop hooks, creating songs that connect with audiences. Their strong chemistry and electrifying live shows have earned them a dedicated fanbase. With a deep connection to their Tasmanian roots, Glass Media continues to push boundaries, delivering fresh, high-energy performances and solidifying their place as one of the island’s most exciting emerging bands.

RAGEFLOWER

RAGEFLOWER exists in a space where emotion and experimentation intertwine – a universe of fearless self-expression, built on creativity, bravery, and compassion. Her music defies easy categorisation, weaving cinematic alt-rock soundscapes with poetic storytelling and raw human energy.

At her core, RAGEFLOWER is a creator who feels everything deeply. Every lyric, melody, and visual comes from instinct, from that magnetic pull to translate emotion into art. She writes because she has to, each song becoming a way to process the chaos and wonder of being alive. Her sound is both intimate and vast; it can whisper one moment and roar the next, always anchored by a sense of vulnerability and strength.

On stage, RAGEFLOWER transforms. Her live shows are more than performances – they’re experiences of release and connection. Theatrical, emotional, and immersive, her sets blur the line between performance art and rock show. There’s a pulse of humanity at the centre of it all – an open invitation for audiences to feel seen, to feel less alone.

Visually, RAGEFLOWER creates with the same conviction she brings to her music. Her aesthetic is both fierce and tender, surreal yet grounded in truth. Every creative choice, from artwork to fashion, expands the world she’s building: one where imperfection is beautiful and authenticity reigns.

With a growing international following across the U.S., Japan, and Europe, and a reputation for deeply affecting performances, RAGEFLOWER stands as one of Australia’s most intriguing new voices. Her vision reaches far beyond the stage, she imagines a future where music, art, and emotion merge into one living, breathing entity. RAGEFLOWER isn’t just making songs – a whole world is being built.

Ra Ra Viper

Born in Fremantle and raised on loud guitars, high-energy shows and close mateship, Ra Ra Viper have emerged as one of Australia’s most electrifying alt-rock acts over the last few years. The five-piece blends jagged riffs, snarling energy and infectious hooks into a sound that nods to bands like The Black Keys and Fontaines D.C. whilst maintaining a distinctly Australian surf rock edge. Since releasing their well-received debut album Big Speak in 2024, Ra Ra have received considerable national airplay and landed spots on major Australian festival lineups including Summersalt, Yours & Owls and Party in the Paddock. With a sophomore album slated for release in 2026 and recent national tours alongside the likes of The Wombats & Old Mervs, Ra Ra Viper are fast becoming one of the most exciting voices in Australia’s alt-rock scene. Coming off an Australian tour in support of The Wombats in 2025, the group just completed a 19 date North American tour in support of their good mates Old Mervs in their first North American shows ever.

Ra Ra Viper’s new single Record Baby (released December 2025) blends the surfy swagger of their early days with the grit and polish of their debut album Big Speak, delivering a jangly alt-rock anthem built for loud singalongs and packed-out mosh pits. The single is the first off their upcoming sophomore album scheduled for independent release in mid 2026. The group has comfortably maintained between 80,000 and 100,000 monthly listeners on Spotify over the last 2 years. Of this the audience has generally been at least 25% USA based. The group is hoping that this tour will elevate their fanbase in the USA and that they will be able to build a loyal following like they have done in Australia to date.

Abby Wallace

Abby Wallace is an alternative indie-pop artist from Nipaluna/Hobart. She translates interior states into language, crafting songs that feel like emotional surveillance footage. Intimate, forensic and occasionally funny, Abby’s writing circles themes of shame, desire, and obsession.

After nearly a decade away from music raising her two children, 2025 marked Abby’s powerful re-entry. Her singles have been met with widespread early praise, including consistent key support from triple j Unearthed. Now preparing to take the project national, Abby is developing a distinctive live show alongside a growing body of work co-written and produced by multi-ARIA Award-nominated producer John Castle.

BOCCE

Based out of nipaluna / Hobart, Australia, BOCCE is a five-piece alt-rock outfit blending the sun-drenched tonality of surf-rock with the anthemic nostalgia of ’90s indie. With a growing reputation across the Australian music scene, the band continues to captivate audiences through compelling songwriting and rousing live performances.

Following showcases at the 2025 edition of South by Southwest (SXSW) Sydney, and supports alongside Ball Park Music, Teenage Dads, Pacific Avenue and Old Mervs, BOCCE has steadily built momentum both on and off the stage. Appearances at major festivals including Great Escape and Party in the Paddock further cement their place as one of Tasmania’s most exciting emerging acts.

With new music coming throughout 2026, BOCCE enters their next chapter with confidence and a newfound maturity, their newest single Romancer offers a glimpse into the band’s evolving sound and what lies ahead.

Lennon Wells

The allure between Lennon Wells and Rock & Roll is palpable, a force that begs to be released.
This isn’t the time to sit idly by.

LW have had themselves a time over the years; support slots with Jet, The Murlocs & Slowly Slowly to name a few. Festival appearances at Party in the Paddock, Great Escape, Echo & Good Gumnuts to name a few more. Nominated for best live act Tasmania in 2023. LW & putting on a kick ass live show have been happily married since 2020.

The last two years have been spent in the wilderness. Sporadic shows between trips to Bruny Island to write and record their debut album. Just enough to keep the fire flickering, but alas, bush fire season is upon us & so is the album.

‘No Kings’ is the second single off the upcoming debut album from Lennon Wells. Fresh of back to back sold out hometown shows with 400 tickets & 40,000 streams in the first month of the first single ‘Baddie’ – LW are ready to back it up with some slick rock & roll.

Mel Blue

Mel Blue are an electronic trio who fuse nostalgia and modernity, crafting dance music imbued with a combination of reflection and forward-thinking creativity. Splitting their lives between Melbourne and London, Oscar Sharah, Jacob Siles, and Luke Gerber have built a solid reputation for their euphoric hybrid dance music. At its core their sound is melancholy and introspective, yet delicately balanced with wistful textures and filtered through a rose-tinted lens.

Born out of the vibrant artistic scenes of Sydney and Melbourne, Mel Blue underwent a transformative evolution when the trio relocated to London in 2023. Their resulting album, ‘nomorejacketsplease’, is an evocative reflection of this pivotal move, due for release on Nettwerk in September.

Infused with underground bass influences (jungle, dubstep, DnB, UKG, and breakbeat) the album captures both the excitement and uncertainty of starting anew in a foreign city. It’s a bold stylistic shift from 2023’s ‘Sanctuary Point’ and is ultimately a story of redemption, friendship, and growth, narrated through fast tempos, atmospheric synths, and danceable yet contemplative soundscapes.

Sam McMeekin

Sam McMeekin is carving out a niche with her distinctive blend of country roots and pop sensibility. Her musical prowess is uniquely hers, while reminiscent of today’s biggest stars in the genre, drawing inspiration from the likes of Lizzy McAlpine, Phoebe Bridgers, and Kacey Musgraves. In January of this year, Sam released her highly anticipated sophomore EP “Amelioration”—a ten track piece of work – featured in CountryTown and Backseat Mafia harnessing the poignant intricacies of indie, pop, and country music, in a way that is unique to McMeekin. The EP precedes her first ever national headline tour in February of 2026, as well as an impressive run of festivals and tour supports throughout 2026, following off from a massive 2025 for the Tasmanian artist, touring with and supporting the likes of Wade Forster, Andrew Swift, Meg Washington, Boo Seeka, and Alex Lloyd among the bunch. Perhaps most notably, Sam was hand-picked by country music supermega star Morgan Evans and icons Fanning Dempsey National Park for their separate shows at Odeon Theatre. Sam’s latest work is as hooky as it is haunting —further cementing her reputation as one of Tasmania’s most magnetic voices and a songwriter worth paying very close attention to.

Sandford Gun Club

The Sandford Gun Club are a five-piece alt-rock band from Tasmania’s southern beaches. Lifelong friends from the 7020; they blend elements of indie, surf and classic rock to create a sound that reflects Tasmanian coastal life.

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